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Showing posts from February, 2022

Field Trip 2....Photos By Lindsay Ward

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A sample of Lindsay's photos from Askam. the Estuary, industrial relics and spoil heaps, the ponds in former mine workings, and the encroaching woodland. Lindsay will be working to collect images for a couple of exhibitions, as well as documenting some parts of the general  process.   

Field Trip: Askam, the estuary and Black's Pond

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 Askam, last week... Alex Blackmore, James and Kevin Alexander and Lindsay Ward on the Estuary  heading towards the site of the Alexander Stakes ...(see  post " Egregore") and Black's Pond.  Alex is exploring the acoustic legacy of the place, James is collecting images for an animation, Lindsay is documenting and compiling photographs for two exhibitions . Kevin showed us round the ponds on the site of former mine workings, and the remains of the          buildings. On the way he spots old anchors buried in the muck, warns us off soft sands and chastens    Jim for his unsuitable footwear while giving him a piggyback towards the banks of the pond.   More images from Lindsay to follow. This, above,  is my hydrophone raft at work in the pond on the site of an airshaft of  Woodhead pit.  And here is a sample of its findings... https://drive.google.com/file/d/1H8xbgJP-U5DamjXddOqx9iZ7oktp-_BB/view?usp=sharing

Egregore

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  Our work in recent years has looked at the mediators of communal memory; the stories, shared experiences and clues in the land that  help build a common sense of place, of its history and significance. Still Waters looks at the repositories of those shared histories,  at land and water and the places they meet. At people and their role as agents of place-memory, not as separate observer-recorders but as something acted upon, subject to the same forces as  land and water; indivisible from anything else in the landscape. And we return to the idea of egregore; spirit of place.  The Alexanders have fished the Duddon Estuary from Askam for over a century. These are the Alexander Stakes. They mark a claim, a fixed point on the shifting muck and sands, If you look for a particular kind of relationship between people and water ,they resemble ritual constructions like the Whitby Penny Hedge, or  Ghost walls from the Iron Age. If you look for another, they speak of a greater comfort, less of f

Hydrophones

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  Testing Hydrophones tied to  fishing rods in the languid  waters of Ulverston Canal. Persistent earpiece jack issues meant I was unaware of much of what was going in....I found this later. https://drive.google.com/file/d/1dwwuWAf8-0k5C6gTA0z46q1BolzlteKm/view?usp=sharing The next plan is to build a raft and float the mics out into a pond.  The mics are made by Jez Riley French, musician and audiophile, who I last saw when we played the Canteen in Barrow. You can read more about them here.. https://jezrileyfrench.co.uk/hydrophones.php